Could a Canon EOS 5D Mark III release date be just around the corner? We think so. Launched in 2008, the Canon 5D Mark II is due a refresh. Essentially just the innards of an Canon 5D inside a slightly spruced-up body shell, plus a 21-million-pixel sensor and a very cool (for 2008) video shooting function, the 5D MKII always looked like something of a compromise. At this point in time, the 5D MK II lacks both the speed and enhanced functionality of the newer APS-C format EOS 7D, and the rugged construction and almost infinite customisation of Canon’s professional EOS 1D series. Expect an updated body shell, greatly improved AF (probably borrowed from the Canon 7D) and a tweaked video shooting capability. We’d also stick our necks out and suggest that whatever replaces the Canon EOS 5D MK2 will have the Canon 60D’s articulated LCD screen – but possibly with the addition of touch-sensitivity. If this turns out to be true, it would be the first full-frame camera to feature this technology.
2.Canon EOS 2000D
You heard it here first: there is no stronger 'sure thing' than a 2011 Canon 2000D release date. The successor to the Canon 2000D, the Canon 1000D, is the Granddad of low-end DSLRs. First introduced in 2008, the Canon EOS 1000D has held its own for an impressively long time, but since the arrival of higher-resolution, video-enabled competitors like the Nikon D3100, it has started to look decidedly decrepit. As an entry-level model, the Canon 1000D is the cheapest camera in Canon’s DSLR lineup, and despite a respectable feature set, its build quality leaves a lot to be desired. These days, ‘entry level’ doesn’t have to mean ‘cheap and nasty’ and we expect the Canon 2000D to offer significantly improved, possibly EOS 7D-inspired handling, plus a higher resolution sensor (possibly the same 18MP used in the Canon 550D) and – naturally – this year’s ‘must have’: HD video.
3. Canon EOS 1Ds Mark IV
There are a lot of strong signals pointing to a Canon EOS 1Ds Mark IV release date in the near future. Introduced in 2007, the EOS-1Ds Mark III was the studio photographer’s dream camera. Offering a resolution of 21 million pixels from a full-frame sensor, the 1DS Mark III had a high enough resolution – and in a tough enough body – to satisfy the most demanding professionals. Fast forward to 2010, though, and the Canon 1Ds Mark III is matched in resolution by the cheaper Canon 5D Mark II, which offers a video mode to boot. The 1Ds Mark III can’t shoot video footage, and its first-generation live view mode is nothing much to shout about. In recent months, Canon has also been making noises about newer, higher-resolution CMOS sensors. All this adds up to a Canon 1Ds Mark IV release date at some point in the coming months. We expect the EOS 1Ds Mark IV to offer 30MP+ resolution, improved Live View and – of course – 1080p HD video.
4. Nikon D800
A replacement to the popular 12MP Nikon D700 is overdue, and we’ve already begun to hear rumours of a Nikon D800 release date. Although the full-frame Nikon D700 remains the camera of choice for Nikon’s legion of prosumer photographers, since its launch in 2008 it has been progressively overshadowed by its competitors. Cameras like the Canon EOS 5D Mark II and Sony’s Alpha A850 offer higher resolution sensors and (in the case of the Canon 5D II) significantly more advanced feature sets. Expect Nikon to respond to the threat of the as-yet-unreleased Canon 5D II successor, which means higher resolution, enhanced live view and – of course – the addition of a versatile movie mode. Our money is on the Nikon D800 having a 24MP sensor, adapted from the CMOS sensor of the professional Nikon D3X, and 1080p video.
5. Sony A800
Sony Alpha users have been eagerly awaiting a replacement for the Sony A700 for at least a year. Announced in 2007, the A700 was – and still is – Sony’s most convincing prosumer APS-C DSLR, and the closest thing to the fondly remembered Konica-Minolta semi-pro film SLRs of yesteryear. Three years on and the Sony faithful are feeling neglected. Three years, and two full-frame DSLRs (the Sony A900 and its near-clone, the Sony A850) plus a flurry of somewhat uninspiring entry-level and midrange Alpha-series models later, and the A700 is looking decidedly isolated. So will they or won’t they? Our guess is that Sony will replace it, but whether the Sony A800 features a semi-translucent mirror (like the A33 and A55) remains to be seen. Our money is on the Sony Alpha 800 specs including 18MP, HD video and SLT-A55-inspired ergonomics.
6. Sony A950
This is a tough one. When Sony introduced the 24-million-pixel, full-frame A900 in 2008, it took everyone by surprise. At the time, the Sony Alpha 900 offered the highest resolution on the market, but for significantly less cash than the next-nearest competitor – the Canon EOS 1DS Mark III. At a third of the price of the Canon, there were some compromises – a significantly less advanced AF system and no live view mode being the most obvious. All things considered, though, the A900 was a hell of a bargain for the resolution-hungry snapper. However, apart from its pixel count, the Sony A900’s specification looked fairly dated from the day of its release, and if Sony wants to stay competitive in the full-frame DSLR market, it will have to replace – or at least update – its long-serving flagship. The question is whether or not Sony considers full-frame to be a market worth competing in. If it does, we expect the Sony Alpha 950 specs to feature a 30MP+ sensor, better AF, improved high ISO performance, decent live view and a similar video mode to the more recent SLT-A55.
7. Canon PowerShot G13
We’re not expecting a Canon G13 release date in the immediate future, but if history is any guide, the next update to Canon's PowerShot G-series shouldn't be far off. The Powershot G11 and recently released Canon G12 broke the mould a little by offering a relatively low resolution of 10 megapixels, compared to the 14MP of the Powershot G10 – released in 2008. The decision to move backwards in resolution was taken (according to Canon) for the sake of image quality. Fewer, larger pixels give better pictures, especially in low light. With the Canon PowerShot G13 release, we’d be surprised if Canon stuck with a 10MP sensor. We suspect the Canon G13 specs will include a 12MP+ sensor and possibly an improved video mode at the very least. Something that we’d love to see changed in a Canon G13 is the Canon G12’s most pointless optical viewfinder. It is small, blurry and inaccurate. We’d like a decent electronic viewfinder – preferably built-in, or as an optional accessory. Having the finder as an optional extra would also allow the camera itself to be smaller. Right now the G12 stretches the definition of ‘compact’ – hopefully the Canon PowerShot G13 will see Canon’s G-series move closer in size to the excellent (and pocketable) PowerShot S95.
8. Nikon Coolpix P8000
The Nikon P7000 has been on the market for less than six months so we’re not expecting it to be replaced in 2010, but already, we’re anxious to see what will come next. Externally, the Nikon P7000 is a near-clone of the Canon G12 (it even shares the same sensor) but that’s where the similarity ends. Image quality is excellent, but Nikon’s flagship compact is let down by its poor operational speed and rather feeble continuous shooting performance. If Nikon wants to be taken seriously in the tough high-end compact market it’s going to have to do better than this with the Nikon P8000. Expect the Nikon P8000 specs to boast a higher resolution sensor, an articulated screen and a beefed-up processor. We’d love an electronic viewfinder too, rather than the useless and bulky optical finder of the P7000
9. Panasonic LX6
If the longevity of the Panasonic LX5’s well-respected predecessors is anything to go by, we’re not expecting a Panasonic LX6 release date in the next few months. However, like the Canon G12 and the Nikon P7000, the Panasonic LX5’s resolution of 10 megapixels is starting to look a little dated. The other major limitation of the Panasonic LX5 is its relatively restricted zoom range, which covers a useful – but not spectacular – 24-90mm (equivalent). Panasonic won’t change anything unless its designers are sure that image quality won’t be compromised, but if and when a Panasonic LX6 replaces the LX5, we’d expect modest improvements in both areas. Perhaps the Panasonic LX6 specs will feature a 12MP sensor and a 24-105mm (equivalent) zoom range, and almost certainly touch-screen controls, like the Micro Four Thirds Panasonic GF2, G2 and GH2.
10. Pentax full frame camera – Pentax K1
Believe it or not, Pentax was all geared up to release a full-frame professional DSLR way back in 2001 (Google it, Granddad÷), but it never saw the light of day. Since then, the Pentax faithful have been hoping against hope that maybe, someday, the Japanese camera giant will give full-frame another go. If you’d asked us a year ago we’d have said it will never happen, but following the launch of the excellent Pentax K5, we’re cautiously optimistic that they just might. Could it be just a coincidence that Tokina, which is known to make Pentax lenses, is launching its first full-frame format lenses in a few years? The Pentax K-5 is a solid, well-specified camera with an impressive feature set, and Pentax’s backwards lens compatibility is second to none. We’d love to see Pentax create a full-frame DSLR, possibly in collaboration with Samsung (although that relationship seems to have cooled) if only so the Pentax K-1 could give Canon and Nikon some genuine competition. For the moment, a Pentax K1 release date is strictly in ‘wouldn’t it be great if’ territory but we’d love Pentax to go down the Nikon D700 route and offer relatively low resolution, perhaps 14MP, but in a genuinely compact bodyshell
See More On: www.goloox.com
0 komentar:
Post a Comment